Skin-tight with longing, like dangerous girls,
the tomatoes reel, drunk
from the vine.
The corn, its secret ears
studded like microphones, transmits August
across the field: paranoid crickets, the noise of snakes
between the stalks, peeling themselves from
themselves.
I am burdened as the sky,
clouds, upset buckets pour
their varnish onto earth.
Last year you asked if I was
faint because of the blood. The tomatoes
bristled in their improbably skins,
eavesdropping
This is one way to say it.
The girl gone, you left.
and this another.
Last year in August I hung
my head between my knees, looked up
flirting with atmosphere
but you were here
and the sky had no gravity.
Now love falls from me,
walls from a besieged city.
When I move the mountains shrug off.
Skin, horizon shudders, I wear the moon
a cowbell
My symptom:
the earth's
constant rotation.
On the surface the sea argues.
The tide pulls water like a cloth
from the table, beached boats, dishes
left standing. Without apology
nature abandons us.
Returns, promiscuous, and slides between
sheets, unspooling the length
of our bodies
Black wild rabbits beside the lighthouse
at Letite. They disappear before
I am certain I've seen them.
Have they learned this from you?
I read the journal of the boy who starved
to death on the other side of a river
under trees grown so old he would not feed them
to a signal fire. His last entry:
August 12 Beautiful Blueberries!
Everything I say about desire or
hunger is only lip service
in the face of it.
Still there were days I know
your mouth gave that last taste of blue.
When you said you were
leaving
I pictured a tree;
spring, the green
nippled buds
not the fall
when we are banished
from the garden.
Another woman fell
in love with the sea,
land kissed by salt, the skin
at the neck a tidal zone, she rowed
against the escaping tide
fighting to stay afloat.
To find the sea she had to turn her back to it,
stroke.
The sea is a wound
and in loving it
she learned to love what goes missing.
Once the raspberries grew
into our room, swollen as the
brains of insects, I dreamt a
wedding. We could not find our
way up the twisted ramp, our from under
ground, my hair earth-damp.
I woke. A raspberry bush clung to us
sticky as the toes of frogs.
A warning: you carried betrayal
like a mantis
folded to your chest- legs, wings, tongue
would open, knife
the leaves above us.
If I could step into
your skin, my fingers
into your fingers putting on
gloves, my legs, your legs,
a snake zipping
up. If I could look
out of your tired eyeholes
brain of my brain,
I might know
why we failed.
(Once we thought the same
thoughts, felt the same things.)
A heavy cloak, I wear
you, an old black wing
I can't shrug off.
O heart of my heart,
come home. O flesh,
come to me before the worm, before earth
ate the girl,
before you left without
belongings.
You said, there are women
I know whose presence
changes the quality of air.
I am not one of those. The leaves
lift and sigh, the river
keeps saying the unsayable things.
I hesitate to prod the corn from the coals
though I have soaked it in Arctic water.
I stop the knife near the tomato
skin, all summer coiled there.
You are not coming back.
One step is closer to
the fire.
September will fall
with twilight's metal
loose change
from a pocket. Quicker than an
oar can fight water,
I will look up from my feet
catch the leaves red-handed
embracing smoke.
Around me, lost things gather
for an instant
in earth-dark air.
-Esta Spalding
This reads likes a spiral trail of ink in a glass of water--the ink dripping from a languid finger tip, swirling and descending in zero-g through a lighter, liquid medium.
ReplyDeleteIt reads like the sort of language that eludes Men. It eludes us in execution, and eludes us in receipt. It is fragmented, and yet so devilishly streamlined, poignant yet lost in the mists of memory and unfocused emotion.
This is just jaw-dropping.